Developing an Integrated Marketing Communication Strategy for Selfridges Departmental Free Essay Example, 4500 words

According to the research findings, it can, therefore, be said that Selfridge target market includes men and women aged 25 year and above. They target people with higher income and operate in the high-end market. The high-end consumers targeted are those that show interest in fashion, art, style, and luxury. For example, the stores target business people who value a high lifestyle and don t mind spending much money to buy items that display their wealthy and affluent lifestyle. They also target fashion enthusiasts and celebrities such as actors and musicians because they live a high life and their work demand that they remain fashionable and embrace art and creativity. The stores face strong industrial competition from major competitors such as House of Fraser, Harrods and specialist departmental stores. These stores make their own brands, and offer stiff competition to Selfridge since it doesn t manufacture its own brand. The potential market for the stores includes developing new local brands that are specifically identified with the stores rather than sell other manufacturers brands. The stores should also target middle-income customers. Most of the UK population is in the middle-income class. We will write a custom essay sample on Developing an Integrated Marketing Communication Strategy for Selfridges Departmental or any topic specifically for you Only $17.96 $11.86/page As they admire the artful architecture, they get to learn about their products and locations where they can get the goods a later date. In addition, Selfridge s windows are also synonymous with the great brand. The windows are uniquely designed to provide protection and aesthetic windows that attract people to the stores. The stores have had several controversies and challenges such as industrial competition and price wars with other departmental wars, poor economic status and political wrangles in the countries it has a presence. However, focus on customer needs and superior marketing strategies enable it to overcome all challenges and increase its growth.

How Autism Affects Regular Brain Functions as Well as...

What is the topic about? Introduction Autism is a complex neurological disorder that is the result of the brain abnormality, affecting a persons regular brain function and also the development of a persons communication and social interaction skills. This neurological disorder is also known as Autism Spectrum Disorder (ASD) which include autistic disorder, Asperger Syndrome and Pervasive developmental disorder (PDD). [2] People with ASD share some similar characteristics and symptoms, such as troubles with collective communication. However, the differences are when the symptoms begin, severity of the disorder and the exact nature of the symptoms. Autism derived from a Greek word autà ³s meaning self - self isolation and the†¦show more content†¦Similarly, repetition of what they hear is also unexceptional, an event called echolalia. Another unusual habit is how autistic people use odd words that jut out and do not fit with what they are saying, requiring other people to be familiar with them in ord er to comprehend. Repetitive and Stereotyped behaviors: Lastly, there are the repetitive and stereotyped behaviors. People with autism are usually found to be deeply focused on only one part of a piece instead of the whole of it, as well as moving objects. Autistic children will be fascinated by the wheels of a moving car. For instance, and arranging their toys in a line instead of playing with them. The same kind of intense focus can aim to specific topics of interest to autistic people. Examples of this can be the bizarre fascination for vacuum cleaners, train schedules or light houses. Moreover, it is the same for say that autistic people have a need for routines. Every activity of the day, no matter how little, must be the identical ones. Autistic people do not appreciate change, and will mostly become upset if insisted on facing it. They will also do simple motions over and over, or what are called stereotyped behaviors, that may include walking back and forth and flapping thei r hands together. Autism affects all stages of life. It can first be detected when the children are approximately 3 years old. That is when parents or caregivers are capable of noticing the symptoms moreShow MoreRelatedAutism : A Type Of Autism913 Words   |  4 Pageschildren will be born with a type of Autism. This number has doubled since the mid-1990’s (Nature Education). Autism affects 1.5 million people (Howard). Autism develops within the first years of life and is four times more likely to be present in boys than in girls (Kinsey). Some researchers believe autism caused by failure to prune sufficient nerve cells, or to get rid of damaged nerve cells in the proper manner (Howard). There is treatment for all types of autism and are available but none are knownRead Moreautism spectrum disorder rough draft2796 Words   |  12 Pagesï » ¿What is the definition of autism spectrum disorder? Autism spectrum disorder is a general term for the complex neurological diseases that affect brain development. The common characteristics of the disease are difficulties in social interactions, speech communication and repetitive sounds and movements. In May of 2013, the DSM-5 diagnostic manual placed all autism disorders under one umbrella known as ASD or autism spectrum disorders. This merged all of the sub-types like Asperger syndrome, autisticRead MoreDescription Of An Example Of A Presentation8050 Words   |  33 Pagescalled Attention Deficit Hyperactivity Disorder (ADHD). Autism (Autism Society of America Home Page) Autism is a complex developmental disability that typically appears during the first three years of life. The result of neurological disorder that affects the functioning of the brain, autism and its associated behaviors have been estimated to occur in as many as 1 in 500 individuals (Centers for Disease Control and Prevention 1997). Autism is four times more prevalent in boys than girls and knowsRead MorePsychology : The Connection Of Mind And Body2531 Words   |  11 PagesWhen it comes to psychology the connection of mind and body is inevitable. As human beings, our behavior leaves a lot to say and we tend to not understand the role of mental functions yet. Because our species is very diverse, the way our thoughts interact with our body capacities forsakes something bigger than any of us. In this branch the word ‘’normal’’ is not easy to define, but only because what is not considered normal comes with psychological disorders. While psychological insight is oftenRead MoreCase Study of Child with Autism9275 Words   |  38 Pagesbecame increasingly interested in Autism since I had the opportunity to work alongside kids with Autism this summer. Seeing how their minds worked and how they processed information was astounding to me. Ever since this experience, I have fallen in love with children with Autism and I am always thriving to learn mo re about them. With this being said, I am looking to do my research on a child with Autism. I will be looking into the question how does Autism affect language development in children?Read MoreA Descriptive Study of the Practice of Music Therapy in Hong Kong17388 Words   |  70 Pages1998. The way music helped children with autism, Down syndrome and physical disabilities amazed me a lot and inspired me to want to become a music therapist. therapists in Hong Kong. At that time, there were only three music There are twelve registered music therapists practicing locally at the moment, serving a more diversified population of clients including people with autism, developmental retardation, emotion problem, cancer, as well as psychiatric patients and geriatrics. The increasingRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesOrganizational Behavior Comprehensive Cases Indexes Glindex 637 663 616 623 Contents Preface xxii 1 1 Introduction What Is Organizational Behavior? 3 The Importance of Interpersonal Skills 4 What Managers Do 5 Management Functions 6 †¢ Management Roles 6 †¢ Management Skills 8 †¢ Effective versus Successful Managerial Activities 8 †¢ A Review of the Manager’s Job 9 Enter Organizational Behavior 10 Complementing Intuition with Systematic Study 11 Disciplines That Contribute to the

The Hunters Phantom Chapter 20 Free Essays

string(171) " found out a few days ago that he also attacked me, and stole my brother – the brother I’d never known I had – and took him away and made him a vampire\." â€Å"Cookies,† Alaric said gravely. â€Å"Bonnie thinks she could manage to choke down a few cookies. Just to keep her strength up. We will write a custom essay sample on The Hunters: Phantom Chapter 20 or any similar topic only for you Order Now † â€Å"Cookies, got it,† said Meredith, rummaging in Mrs. Flowers’s kitchen cabinet to find a mixing bowl. She clunked a big china bowl that was probably older than she was onto the counter and checked the refrigerator. Eggs, milk, butter. Flour in the freezer. Vanil a and sugar in the cupboard. â€Å"Look at you,† Alaric said admiringly as Meredith unwrapped a stick of butter. â€Å"You don’t even need a recipe. Is there anything you can’t do?† â€Å"Lots of things,† Meredith replied, basking in the warmth of Alaric’s gaze. â€Å"What can I do to help?† he asked cheerful y. â€Å"You can get another mixing bowl and measure two cups of flour and a teaspoon of baking powder into it,† Meredith told him. â€Å"I’l beat the butter with the other ingredients in this bowl, and then we can put them together.† â€Å"Got it.† Alaric found a bowl and measuring cups and started to measure out the items. Meredith watched his strong, tanned hands confidently leveling off the flour. Alaric had gorgeous hands, she thought. His shoulders were nice, too, and his face. Al of him, real y. She realized she was ogling her boyfriend instead of stirring, and felt her cheeks color, even though no one was watching her. â€Å"Pass me the measuring cups when you’re done with them?† He handed them to her. â€Å"I know something scary’s going on, and I want to protect Bonnie, too,† he said, smiling a little, â€Å"but I think she might be milking the situation a little. She loves that everyone’s pampering her.† â€Å"Bonnie’s being very brave,† said Meredith primly, then flashed him a grin, â€Å"and, yes, she might be milking it.† Matt came down the stairs and into the kitchen. â€Å"I think maybe Bonnie should have some tea when she gets out of her bubble bath,† he said. â€Å"Mrs. Flowers is busy putting protective spel s on the bedroom Bonnie chose, but she said she has a mix of chamomile and rosemary that would be good, and to put honey in it.† Meredith focused on mixing the cookie ingredients together as Matt boiled water and careful y measured dried herbs and honey to make the tea to Mrs. Flowers’s exact specifications. When he final y finished fussing over it, Matt picked up the fragile teacup and saucer careful y. â€Å"Wait, maybe I’d better take the whole pot up,† he said. As he searched for a tray to carry it on, he asked, â€Å"Meredith, are you sure you and Bonnie got everything she might need from her house?† â€Å"She was up there for nearly a half hour. She got everything she wanted,† said Meredith, â€Å"and if we missed anything, I’m sure Mrs. Flowers has some extras.† â€Å"Good,† said Matt, his handsome face intent as he picked up the tea tray without spil ing anything. â€Å"I just want to make sure Bonnie’s okay.† He left the kitchen, and Meredith listened to his footsteps heading back upstairs. Once he was out of earshot, she and Alaric both burst out laughing. â€Å"Yes, she’s definitely milking it,† said Meredith, when she’d stopped giggling. Alaric pul ed her toward him. His face was serious and intent now, and Meredith caught her breath. When they were this close, she could see the hidden flecks of gold in his hazel eyes, and they felt like a secret only Meredith knew. â€Å"I love how you take care of your friend,† Alaric told her, his voice low. â€Å"What I love most is that you know she’s pushing it as far as she can, seeing what you’l do for her, and you laugh, but you’re stil going to give her whatever she needs.† He frowned a little. â€Å"No, that’s not right. I do love how you see the funny side of it, but what I love most is how wel you take care of everyone you can.† He pul ed her closer stil . â€Å"I guess mostly I love you, Meredith.† Meredith kissed him. How could she have worried that Celia would come between them? It was like there had been a mist fil ing her eyes, making it so that she was unable to see the simple truth: Alaric was crazy about her. After a minute, she broke the kiss and turned back to the cookie dough. â€Å"Get a cookie sheet, would you?† she asked. Alaric stood stil for a moment. â€Å"Okay†¦Ã¢â‚¬  he said. Closing her eyes, Meredith summoned al her strength. She had to tel him. She had promised herself she would. He handed her a cookie sheet and she busied herself by scooping spoonfuls of dough onto it. â€Å"There’s something I need to tel you, Alaric,† she said. Alaric froze next to her. â€Å"What is it?† he asked, his voice wary. â€Å"It’s going to sound unbelievable.† He gave a snort of laughter. â€Å"More unbelievable than everything else that’s happened since I met you?† â€Å"Sort of,† Meredith said. â€Å"Or, at least, it’s specifical y about me this time. I’ve been†¦Ã¢â‚¬  It was hard to say. â€Å"I come from a family of vampire hunters. Al my life, I’ve been training to fight. I guess taking care of people is a family trait.† She smiled weakly. Alaric stared at her. â€Å"Say something,† Meredith prompted after a moment. He pushed his hair out of his eyes and looked wildly around. â€Å"I don’t know what to say. I’m surprised you never told me this. I thought† – he paused – â€Å"that we knew each other real y wel .† â€Å"My family†¦Ã¢â‚¬  said Meredith miserably. â€Å"They made me swear that I would keep our secret. I never told anybody until a few days ago.† Alaric closed his eyes for a minute and pressed his palms against them hard. When he opened them, he looked calmer. â€Å"I understand. I do.† â€Å"Wait,† said Meredith. â€Å"There’s more.† The cookie sheet was ful , and she cast about for something else to occupy her hands and eyes while she talked. She settled on a dish towel and twisted it nervously. â€Å"Do you remember that Klaus attacked my grandfather?† Alaric nodded. â€Å"Wel , I found out a few days ago that he also attacked me, and stole my brother – the brother I’d never known I had – and took him away and made him a vampire. And he left me – I was only three – some kind of half vampire. A living girl, but one who needed to eat blood sausage and sometimes had†¦ sharp teeth like a kitten’s.† â€Å"Oh, Meredith†¦Ã¢â‚¬  Alaric’s face was ful of compassion, and he moved toward her, hands out. Toward me, Meredith noted. Not away, not afraid. â€Å"Wait,† she said again. â€Å"Elena asked the Guardians to change things to the way they would have been if Klaus never came here.† She put down the dish towel. â€Å"So it never happened.† â€Å"What?† Alaric said, staring at her. Meredith nodded, a helpless, confused smile spreading over her face. â€Å"My grandfather died in a retirement home in Florida two years ago. I have a brother – one I don’t remember, unfortunately – he got sent away to boarding school when we were twelve and joined the military as soon as he turned eighteen. Apparently he’s the problem child of the family.† She took a deep breath. â€Å"I’m not a vampire. Not even a half vampire. Not now.† Alaric was stil staring at her. â€Å"Wow,† he said. â€Å"Wait a minute. Does that mean that Klaus is stil alive? Could he come here, come after your family now?† â€Å"I thought of that,† Meredith said, glad to address the practicalities. â€Å"I don’t think so. Elena asked the Guardians to change Fel ‘s Church so it was as if Klaus never came here. She didn’t ask them to change Klaus and his experience. For him, I think, logical y, he did come here, long ago, and now he’s dead.† She smiled shakily. â€Å"I hope so, anyway.† â€Å"So you’re safe,† Alaric said, â€Å"as safe as a vampire hunter might be. Is that al you needed to tel me?† When Meredith nodded, he reached for her and pul ed her back into his arms. Holding her tightly, he said. â€Å"I would have loved you with sharp teeth, too. But I’m so glad for you.† Meredith closed her eyes. She had needed to tel him, to know how he would have reacted if the Guardians hadn’t changed everything. A great warming gladness spread al through her. Alaric pressed his lips against her hair. â€Å"Wait,† she said once more, and he released her, looking inquisitive. â€Å"The cookies.† Meredith laughed and put them in the oven, setting the timer for ten minutes. They kissed until the buzzer rang. â€Å"Are you sure you’l be okay alone?† Matt asked anxiously, standing by Bonnie’s bed. â€Å"I’l be right downstairs if you need anything. Or maybe I should stay here. I could sleep on your floor. I know I snore, but I’d try not to, I swear.† Bonnie gave him a brave little smile. â€Å"I’l be fine, Matt. Thank you so much.† With one last worried glance, Matt patted her hand awkwardly, then left the room. Bonnie knew he would toss and turn on his own bed, thinking of ways to keep her safe. Probably he would end up sleeping on the floor outside her door, she thought, giving a delighted little wriggle. â€Å"Sleep wel , my dear,† said Mrs. Flowers, taking his place by Bonnie’s bedside. â€Å"I have cast al the protective charms I know around you. I hope you like the tea. It’s my own special brew.† â€Å"Thank you, Mrs. Flowers,† Bonnie said. â€Å"Good night.† â€Å"You are enjoying this way too much,† said Meredith, who came in next carrying a plate of cookies. She was limping, but had insisted that she didn’t need a cane or crutch as long as her ankle was bandaged. In fact†¦ Bonnie took a closer look at Meredith. Her cheeks were flushed, and her usual y smooth hair was a little mussed. I think she’s very glad that Celia’s gone to UVA, Bonnie thought with a smirk. â€Å"I’m just trying to keep my spirits up,† Bonnie said with a mischievous smile. â€Å"And you know what they say: When life gives you lemons, make lemonade. My lemonade is having Matt trying to fulfil my every need. It’s too bad we don’t have more boys around here.† â€Å"Don’t forget about Alaric,† said Meredith. â€Å"He helped make the cookies. And he’s downstairs researching everything he can that might be related to this.† â€Å"Ah, everyone catering to me, that’s what I like,† Bonnie joked. â€Å"Did I tel you how much I enjoyed the dinner you made? Al my favorites†¦ it was like my birthday. Or my last meal,† she added more soberly. Meredith frowned. â€Å"Are you sure you don’t want me to stay in here? I know we’ve protected the house as wel as we can, but we don’t real y know what we’re fighting. And just because the last couple of attacks took place in daylight with the whole group around, it doesn’t necessarily mean that’s the way they have to be. What if whatever this is can get past our defenses?† â€Å"I wil be fine,† said Bonnie. Intel ectual y she knew she was in danger, but oddly, she didn’t feel scared. She was in a house with people she trusted, al of whom were focused wholeheartedly on her safety. Besides, she had a plan for the night – something she couldn’t do if Meredith slept in the room. â€Å"Are you sure?† Meredith fretted. â€Å"Yes,† Bonnie said emphatical y. â€Å"If something bad was going to happen to me tonight, I’d know in advance, right? Because I’m psychic, and I get warnings about things.† â€Å"Hmmm,† said Meredith, quirking one eyebrow. For a moment she looked like she was going to argue. Bonnie kept her gaze firm. Final y, Meredith put the tray of cookies on the table by the bed next to the teapot and cup Matt had brought up earlier, pul ed the curtains across the window, and looked anxiously around to see what else could be done. â€Å"Okay, then,† she said. â€Å"I’l be right next door if you need me.† â€Å"Thanks, Mer. Good night.† As soon as the knob clicked into place, Bonnie lay back in bed and bit into a cookie. Delicious. A slow smile bloomed on her lips. She was the center of attention now, as if she were a Victorian heroine bravely suffering from some kind of wasting il ness. She had been encouraged to pick out her favorite of the boardinghouse’s many bedrooms and had chosen this one. It was a charming room with creamy rose-patterned wal paper and a maple sleigh bed. Matt hadn’t left her side al night. Mrs. Flowers had fussed around her, fluffing pil ows and offering her herbal tonics, and Alaric had been conscientiously researching protection spel s in al the grimoires he could find. Even Celia, who had never been anything but snippy to her about her â€Å"visions,† promised before she left to let her know as soon as she found something helpful. Bonnie turned on her side, inhaling the sweet scent of Mrs. Flowers’s tea. Here in this cozy room, it was impossible to feel like she needed protection, that she could be in danger this very second. But was she? What was the time frame after one’s name was cal ed? After Celia’s name had appeared, she had been attacked within the hour. After Meredith’s had appeared, she hadn’t been attacked until the next day. Maybe things were getting more spaced out. Maybe Bonnie wasn’t going to be in danger until tomorrow or the next day. Or next week. And Damon’s name had appeared before Bonnie’s did. Bonnie’s skin tingled at the thought of Damon’s name in lake weeds. Damon was dead. She had seen him die – and in fact he’d died for her (although everyone else, in their compassion for Elena, seemed to have forgotten that). But the appearance of his name must mean something. And she was determined to figure out just what. She listened. She could hear the sounds of Meredith moving around in the room next door with a steady thumping that suggested she was practicing with her stave, and from down below came the faint voices of Matt, Alaric, and Mrs. Flowers talking in the study. Bonnie could wait. She poured herself a cup of tea, crunched on another cookie, and wiggled her toes pleasurably under the soft pink sheets. She sort of liked being a supernatural invalid. An hour later, she had finished her cup of tea and al the cookies, and the house was quieter. It was time. She climbed out of bed, her too-long polka-dotted pajama pants flapping around her ankles, and opened her overnight bag. While Meredith had waited downstairs at her house, she had pried up the loose board by her bed and taken out Traversing the Boundaries Between the Quick and the Dead, a book of matches, a silver knife, and the four candles she needed for the ritual. Now she took them out of her bag and rol ed back the rug by the bed so she could crouch on the floor. Tonight, nothing was going to stop her. She was going to reach Damon. Maybe he could tel her what was going on. Or maybe he was in some sort of danger, in whatever plane dead vampires ended up on, and needed to be warned. In any case, she missed him. Bonnie hunched her shoulders and wrapped her arms around herself for a moment. Damon’s death had hurt her, not that anyone had noticed. Everyone’s attention, everyone’s sympathies, had been directed toward Elena. As usual. Bonnie got back to work. Quickly, she lit the first candle and, dripping wax on the floor to anchor it upright, placed it to her north. â€Å"Fire in the North, protect me,† she whispered. She lit them in widdershins order: black to the north, white to the west, black to the south, white to the east. When the circle of protection was complete around her, she closed her eyes and sat quietly for a few moments, focusing herself, reaching to find the power at her center. When she opened her eyes, she took a deep breath, picked up the silver knife, and quickly, without giving herself time to wimp out, cut a gash across her left palm. â€Å"Ouch,† she muttered, and turned her hand over, dripping blood on the floor in front of her. Then she dabbed the fingers of her right hand in the blood and smeared a bit on each candle. Bonnie’s skin tingled painful y as magic rose around her. Her senses honed, and she could see tiny movements in the air, as if flashes of light were appearing and disappearing just out of sight. â€Å"‘Through the darkness I cal to you,'† she intoned. She didn’t need to look at the book; she had memorized this part. â€Å"‘With my blood I cal to you; with fire and silver I cal to you. Hear me through the cold beyond the grave. Hear me through the shadows beyond the night. I summon you. I have need of you. Hear me and come!'† The room went stil . It was the stil ness of expectation, as if some great creature were holding its breath. Bonnie felt like an entire audience stood around her, suspended in eagerness. The veil between the worlds was about to lift. She had no doubts. â€Å"Damon Salvatore,† she said clearly. â€Å"Come to me.† Nothing happened. â€Å"Damon Salvatore,† Bonnie said again, less confidently, â€Å"come to me.† The tension, the feeling of magic in the room was beginning to dissipate, as if her invisible audience were quietly creeping away. Yet Bonnie knew the spel had worked. She had a funny, blank, cutoff feeling, like when she was talking on the phone and her carrier suddenly dropped the cal . Her cal had gone through, she was sure of it, but there was no one on the other end. Only what did it mean? Was Damon’s soul just†¦ gone? Suddenly Bonnie heard something. A light breathing, just a smidge out of time with her own. There was someone right behind her. The hairs rose on the back of her neck. She hadn’t broken the circle of protection. Nothing should be able to cross into that circle, certainly no spirit, but whoever was behind her was inside the circle, so close to Bonnie that they were almost touching her. Bonnie froze. Then slowly, careful y, she put down her hand and felt for the knife. â€Å"Damon?† she whispered uncertainly. A tinkling laugh sounded behind her, fol owed by a low voice. â€Å"Damon doesn’t want to talk to you.† The voice was honey-sweet, but somehow also poisonous-sounding, insidious and oddly familiar. â€Å"Why not?† Bonnie asked shakily. â€Å"He doesn’t love you,† the voice said in a soft, persuasive tone. â€Å"He never even noticed you were there, unless there was something he wanted from you. Or perhaps if he wanted to make Elena jealous. You know that.† Bonnie swal owed, too afraid to turn around, too afraid to see who the voice belonged to. â€Å"Damon saw only Elena. Damon loved only Elena. Even now that he’s dead and lost to her, he won’t hear you cal ing,† the voice lilted. â€Å"Nobody loves you, Bonnie. Everyone loves Elena, and that’s how she likes it. Elena keeps everyone for herself.† A burning sensation began behind Bonnie’s eyes, and a single hot tear ran down her cheek. â€Å"No one wil ever love you,† the voice whispered. â€Å"Not when you’re standing next to Elena. Why do you think no one ever saw you as anything but Elena’s friend? Al the way through school, she was standing in the sunshine and you were hidden in her shadow. Elena made sure of that. She couldn’t bear to share the spotlight.† The words rattled inside Bonnie’s mind, and suddenly something inside her shifted. The icy terror she’d felt just moments ago had thawed, making way for roiling anger. The voice was right. Why had she never seen it before? Elena was Bonnie’s friend only because Bonnie was a foil for her own beauty, her own sparkle. She had been using her for years without caring how Bonnie felt at al . â€Å"She cares only about herself,† Bonnie said, half sobbing. â€Å"Why can’t anyone see that?† She shoved the book away from her and it knocked over the black candle to her north, breaking the circle. The wick smoked and guttered, and al four candles went out. â€Å"Ahhhh,† said the voice in satisfaction, and tendrils of dark fog began to creep from the corners of the room. Just as quickly as her fear had left her, it snapped back. Bonnie spun around, holding the knife, ready to face the voice, but there was no one there – just dark, amorphous fog. Hysteria wel ing within her, she got to her feet and stumbled toward the door. But the fog moved quickly, and soon Bonnie was enveloped in it. Something fel with a clatter. She couldn’t see more than a few inches. Bonnie opened her mouth and tried to scream, but the fog flowed over her lips, and her scream turned into a muffled moan. She felt her grip on the knife loosen and it dropped to the floor with a dul clank. Her vision grew blurry. Bonnie tried to lift her foot but could barely move. Then, blinded by the fog, she lost her balance and pitched forward into darkness. How to cite The Hunters: Phantom Chapter 20, Essay examples

The Holy Trinity by Masaccio Essay Example For Students

The Holy Trinity by Masaccio Essay The Holy Trinity by Masaccio was done approximately 1428. It is a superb example of Masaccios use of space and perspective. It consists of two levels of unequal height. Christ is represented on the top half, in a coffered, barrel-vaulted chapel. On one side of him is the Virgin Mary, and on the other, St. John. Christ himself is supported by God the Father, and the Dove of the Holy Spirit rests on Christs halo. In front of the pilasters that enframe the chapel kneel the donors husband and wife. Underneath the altar a masonry insert in the painted composition is a tomb. Inside the tomb is a skeleton, which may represent Adam. The vanishing point is at the center of the masonry altar, because this is the eye level of the spectator, who looks up at the Trinity and down at the tomb. The vanishing point, five feet above the floor level, pulls both views together. By doing this, an illusion of an actual structure is created. The interior volume of this structure is an tension of the space that the person looking at the work is standing in. The adjustment of the spectator to the pictured space is one of the first steps in the development of illusionistic painting. Illusionistic painting fascinated many artists of the Renaissance and Baroque periods. The proportions in this painting are so numerically exact that one can actually calculate the numerical dimensions of the chapel in the background. The span of the painted vault is seven feet, and the depth is nine feet. Thus, he achieves not only successful illusion, but a rational, metrical coherence that, by maintaining the mathematical proportions of the surface design, is responsible for the unity and harmony of this monumental composition. Two principal interests are summed up by The Holy Trinity: Realism based on observation, and the application of mathematics to pictorial organization. All of the figures are fully clothed, except for that of Christ himself. He is, however, wearing a robe around his waist. The figure is real; it is a good example of a human body. The rest of the figures, who are clothed, are wearing robes. The drapery contains heavy folds and creases, which increases the effect of shadows. The human form in its entirety is not seen under the drapery; only a vague representation of it is seen. It is not at all like the wet-drapery of Classical antiquity. Massacio places the forms symmetrically in the composition. Each has its own weight and mass, unlike earlier Renaissance works. The fresco is calm, and creates a sad mood. The mood is furthered by the darkness of the work, and the heavy shadows cast. Grunewalds The Isenheim Altarpiece is an oil painting on wood, completed in 1515. The altar is composed of a carved wooden shrine with two pairs of movable panels, one directly in back of the other. The outermost scene is the Crucifixion; on the inside there are two others. On the two sides, two saints are represented St. Sebastian on the left, and St. Anthony on the right. Together, these saints established the theme of disease and healing that is reinforced by the inner paintings. On the bottom of the panel, when opened, it appears that Christs legs were amputated; possibly an allusion to ergotism, a disease treated in the hospital where the altarpiece was kept. An image of the terrible suffering of Christ is in the middle. The suffering body hangs against the dark background, which falls all the way to the earth. The flesh is discolored by decomposition and is studded with the thorns of the lash. His blackening feet twist in agony, as do his arms. His head is to one side, and his fingers appear as crooked spikes. .ua62301a507b2e36a2f269de552cfb8f4 , .ua62301a507b2e36a2f269de552cfb8f4 .postImageUrl , .ua62301a507b2e36a2f269de552cfb8f4 .centered-text-area { min-height: 80px; position: relative; } .ua62301a507b2e36a2f269de552cfb8f4 , .ua62301a507b2e36a2f269de552cfb8f4:hover , .ua62301a507b2e36a2f269de552cfb8f4:visited , .ua62301a507b2e36a2f269de552cfb8f4:active { border:0!important; } .ua62301a507b2e36a2f269de552cfb8f4 .clearfix:after { content: ""; display: table; clear: both; } .ua62301a507b2e36a2f269de552cfb8f4 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua62301a507b2e36a2f269de552cfb8f4:active , .ua62301a507b2e36a2f269de552cfb8f4:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua62301a507b2e36a2f269de552cfb8f4 .centered-text-area { width: 100%; position: relative ; } .ua62301a507b2e36a2f269de552cfb8f4 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua62301a507b2e36a2f269de552cfb8f4 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua62301a507b2e36a2f269de552cfb8f4 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua62301a507b2e36a2f269de552cfb8f4:hover .ctaButton { background-color: #34495E!important; } .ua62301a507b2e36a2f269de552cfb8f4 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua62301a507b2e36a2f269de552cfb8f4 .ua62301a507b2e36a2f269de552cfb8f4-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua62301a507b2e36a2f269de552cfb8f4:after { content: ""; display: block; clear: both; } READ: Landscape painting with Thomas Cole EssayThe shuddering tautness of Christs nerves is expressed through the positions of his fingers. Up to this point, no other artist has ever produced such an image of pain. The sharp, angular shapes of anguish appear in the figures of the swooning Virgin and St. John, and in the shrill delirium of the Magdalene. On the other side, John the Baptist, a gaunt form, points a finger at the body of the dead Christ. Even though death and suffering are dominant in the altarpiece, there are symbols of hope: The river behind St. John, which represents baptism, and the wine-red sky which symbolizes the blood of Christ. Through these bols, a hope of salvation is offered to the viewer. The use of space is ambiguous in some places: All of the forms are at the same general depth in the painting. However, none of the forms are tangled, or intertwining. Therefore, the space is not badly used. Once again, all of the forms except for that of Christ are fully clothed. Christ is again wearing a small robe around his waist. The other forms are depicted superbly. Their bodies are not lost behind the drapery which they wear, yet they are not seen exactly either. The folds are more delicate, which create a calmer mood. Christs description was already given. The forms are three dimensional, and also have weight. They clearly take up space, and where they are is clearly defined. As in The Holy Trinity, the composition is generally symmetrical, centered around the body of Christ. It is a frightful composition, because of the events taking place. Expression is shown on all of the figures, who grieve Christs death. Overall, the two works are very similar. Masaccio, however, was more interested in the mathematical aspects of painting than Grunewald. Both works are superb, and have their own distinct qualities.